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  • Guest Blog: Translating Russian Cinema with InqScribe

    Posted on February 4th, 2021 Alex No comments

    Kino Klassika uses InqScribe to bring Russian film culture to new audiences.

    By: Olga Doletskaya, Season Manager at Kino Klassika

    Founded in 2015, Kino Klassika Foundation is the only independent organisation in the world dedicated to cinema from Russia, the Caucasus, and Central Asia. We create programs of restorations, publications, art commissions, and events to spotlight filmmakers from the region, to create memorable experiences for audiences, and to advance the cultural demand for cinema from the region. We use film and film materials as the lens through which to examine the development of artistic and cultural norms and socio-political policy and design.

    Kino Klassika restores and screens classic Russian films.

    This year, we are launching a streaming platform devoted to highlighting films from Russia, the Caucasus, and Central Asia. We plan on offering various educational materials like director interviews and critical essays, alongside the films to give a well-rounded unique experience for our viewers. However, preparing interviews for screening has not been easy since we have to transcribe in Russian, translate to English, and create subtitles. InqScribe really has cut the time we need to do this process in half. Before using InqScribe, our team struggled to get transcripts ready on time, using a Word document and video open in another window to transcribe. The most wonderful feature of InqScribe for us is being able to view the video in the small window alongside transcribing. It makes subtitling so much easier. InqScribe has improved our communication and speed since everyone is using the same program.

    InqScribe has been invaluable for transcribing various audio and video educational content. It has greatly sped up our process allowing us to add more content and additional materials to our platform thus creating a more diverse experience for our audiences.

    About the Author

    Olga works with venues as a season manager at Kino Klassika. She is also part of the curation team, selecting titles and translating educational content for the platform. Learn more about Russian film, and Kino Klassika’s programming, at kinoklassikafoundation.org.


    Thanks Olga! We’re happy InqScribe can speed up the translation work necessary to discover these Russian film classics. If you’re curious how InqScribe can fit into your translation workflow, request a free 14-day trial at inqscribe.com, or send us an email at support@inqscribe.com.

  • Guest Blog: A Final Cut Pro Workflow for Editing in Another Language

    Posted on May 7th, 2012 ben No comments

    Finding the right workflow for a project can be a challenge, especially when you have multiple languages, multiple tools, and multiple collaborators in the mix.  In our latest guest blog, Chad Braham, an editor and Director of Media Production at WORDonCancer.org describes in very helpful detail how they’ve developed a translation workflow that starts in Final Cut Pro and ends back in Final Cut Pro with a full resolution subtitled version that enables him to edit the film in a language he doesn’t speak.

    Got an interesting story about how you’re using InqScribe? Please contact us at support@inqscribe.com if you’d like to highlight your work.


    by Chad Braham, Editor, Director of Media Production, WORDonCancer.org

    WORDonCancer.org is a 501(c)3 non-profit organization based in Indianapolis, IN, that aims to educate and raise awareness about women’s cancer.

    This summer, our organization is working on a documentary short film about a cervical cancer prevention program in the Peten region of Guatemala, entitled, “No More <http://nomorethemovie.com/>. Due to the location of where the film was shot, a large portion of the footage needs to be translated and subtitled (from Spanish to English) for the final piece.

    Much of this translation is currently being done by a small group of volunteers, most of whom have little to no subtitling/transcription experience. Because of this, we needed a solution that was easy to learn and use, was available on multiple platforms (PC and Mac) and could work within our Final Cut Pro 7 video editing workflow.

    As you probably already know, Inqscribe <http://inqscribe.com/> does all the above and more. As the editor of this film, I must say that I don’t speak much spanish, so it was critical that our translation workflow start and end with Final Cut Pro. With Inqscribe I can edit spanish speaking interviews, in Final Cut Pro, with subtitles, and find sound bites and edit points as if I were editing an english speaking interview. Our typical workflow is as follows:

    1. Export a clip of spanish speaking footage from Final Cut Pro as a small reference video file with a timecode window burned in. In an attempt to keep the physical file size small (and the duration short for our volunteers) we usually keep the file to around 7 minutes long (a 320×180 Quicktime file at Photo-JPEG with “Medium” compression seem to play-back better then “.mp4” files on slower PC machines).

    2. Upload the file to our FTP site or Google Drive (depending on the volunteer’s preferences) and notify the volunteer with an email that also includes a few notes about the file (who the person speaking is, why we chose to talk to them, etc.)

    3. Volunteer transcribes in Inqscribe and breaks up the transcription into phrases with timecode for subtitling exports.

    4. The volunteer then emails over just the “.inqscr” file, that the video editor opens in his copy of InqScribe, makes a few adjustments to ensure it adheres to basic subtitling best practices (amount of text per subtitle, etc.), and then exports out an XML from InqScribe for Final Cut Pro import.

    5. The XML export is then imported into Final Cut Pro and sync’d to the full-rez version of the translated clip. This is really the beauty of translating and transcribing with Inqscribe, the translation is already broken into full-resolution subtitling text “slides” in FCP and can be edited further without any quality loss to the video or text.

    One of the biggest challenges of producing any documentary, is organizing the massive amounts of footage and material, into a compelling story. This is especially complicated when a good portion of the material you are working with is in a foreign language. Luckly, there is a software like InqScribe that is so easy, anyone can use it.

    You can learn about this film at the film’s website www.nomorethemovie.com.

  • Guest Blog: How Documentary Filmmakers Transcribe and Subtitle With InqScribe

    Posted on October 16th, 2010 ben No comments

    InqScribe has many different kinds of users. But the majority of our users can be categorized into three groups: university researchers, professional transcriptionists, and documentary filmmakers.

    To highlight how our folks are using the tool, we would like to do an occasional feature where we invite our users to be guest bloggers.

    Here’s our first guest blog from a pair of award-winning documentary filmmakers. We were particularly interested in how they might be using InqScribe as part of their translation and transcription workflow, so we asked them to elaborate:

    DigAllMedia

    DigAllMedia

    By Dianne Griffin and Erica Jordan

    Digall Media, a 501(c)(3) organization founded by Erica Jordan and Dianne Griffin is currently in production on their one-hour documentary Painted Nails – a Vietnamese immigrant story of exotic nail art, pampered clients, and the serious health risks that lurk beneath the brightly painted surface.

    We’re excited about using Inquirium’s product InqScribe to transcribe dialogue and create English subtitles for our Vietnamese and Spanish speaking characters. We’re still fine-tuning the workflow of importing subtitles, generated with InqScribe, into Final Cut Pro. It took some time to figure out the importing and exporting specs, but it was worth trouble-shooting. We can now transcribe dialogue in InqScribe with timecode and export it as an XML file using a custom FCP XML template. When the XML file is imported into Final Cut, the subtitles (as text elements) magically appear on a new timeline. InqScribe’s support page offers to look at your files to help trouble-shoot subtitling issues. InqScribe works great with a foot pedal, saving valuable post-production time.

    Filmmaking is hard enough; it’s great to find a product such as InqScribe to make it easier.

    Please contact us at info@inquirum.net if you’re interested in highlighting your work.